Additional information
| Edition Size | 31/100 |
|---|---|
| Size Type/Largest Dimension | Medium (Up to 30") |
| Date of Creation | |
| Listed By | Dealer or Reseller |
| Style | |
| Subject | |
| Signed | Signed |
| Edition Type | Limited Edition |
| Print Type - Production Technique |
Frank Martin
Lysistrata – 1968
Print – Etching on zinc 16” x 18”
Edition: Signed in pencil, titled and marked V/XXV
etching on zinc in color.
catalogue # —
Most of Frank Martin’s output was commercial in a purposeful way. At a time when illustrative and decorative art in Britain flourished in publishing, journalism and advertising, he proudly called himself a jobbing artist and no one could deny the technical range of his accomplishments. It is a measure of his success that in the 1970s he held no fewer than 11 one-man shows. He was also one of the longest-serving illustrators for the Folio Society.
Martins work often had a playful quality. The sidelong glances, ripped bodices and cartoonish features (sometimes practically asking for speech bubbles) were all indications that he did not want to be taken solemnly. Naked girls were undoubtedly his favourite subjects, and he drew, painted, etched and engraved them repeatedly. He was a confident draughtsman, using strong shapes and swaggering lines full of movement. His images are straightforward, clear and affectionate
$500.00
In stock
| Edition Size | 31/100 |
|---|---|
| Size Type/Largest Dimension | Medium (Up to 30") |
| Date of Creation | |
| Listed By | Dealer or Reseller |
| Style | |
| Subject | |
| Signed | Signed |
| Edition Type | Limited Edition |
| Print Type - Production Technique |













Frank Martin Lysistrata - 1968 Print - Etching on zinc 16'' x 18'' Edition: Signed in pencil, titled and marked V/XXV etching on zinc in color. catalogue # -- Most of Frank Martin's output was commercial in a purposeful way. At a time when illustrative and decorative art in Britain flourished in publishing, journalism and advertising, he proudly called himself a jobbing artist and no one could deny the technical range of his accomplishments. It is a measure of his success that in the 1970s he held no fewer than 11 one-man shows. He was also one of the longest-serving illustrators for the Folio Society. Martins work often had a playful quality. The sidelong glances, ripped bodices and cartoonish features (sometimes practically asking for speech bubbles) were all indications that he did not want to be taken solemnly. Naked girls were undoubtedly his favourite subjects, and he drew, painted, etched and engraved them repeatedly. He was a confident draughtsman, using strong shapes and swaggering lines full of movement. His images are straightforward, clear and affectionate
In stock