Additional information
Subject | |
---|---|
Signed | Signed |
Edition Type | Limited Edition |
Style | |
Edition Size | XIII/XXV |
Size Type/Largest Dimension | Medium (Up to 30") |
Listed By | Dealer or Reseller |
Print Type - Production Technique |
Frank Martin
Insignia
Print – woodcut 22.75” x 32.25”
Edition: Signed in pencil, titled and marked XIII/XXV
Unframed in Fair Condition.
Condition note; Some water staining and a crease in the corner. See Photos
Most of Frank Martin’s output was commercial in a purposeful way. At a time when illustrative and decorative art in Britain flourished in publishing, journalism and advertising, he proudly called himself a jobbing artist and no one could deny the technical range of his accomplishments. It is a measure of his success that in the 1970s he held no fewer than 11 one-man shows. He was also one of the longest-serving illustrators for the Folio Society.
Martins work often had a playful quality. The sidelong glances, ripped bodices and cartoonish features (sometimes practically asking for speech bubbles) were all indications that he did not want to be taken solemnly. Naked girls were undoubtedly his favourite subjects, and he drew, painted, etched and engraved them repeatedly. He was a confident draughtsman, using strong shapes and swaggering lines full of movement. His images are straightforward, clear and affectionate
$775.00
In stock
Subject | |
---|---|
Signed | Signed |
Edition Type | Limited Edition |
Style | |
Edition Size | XIII/XXV |
Size Type/Largest Dimension | Medium (Up to 30") |
Listed By | Dealer or Reseller |
Print Type - Production Technique |
Frank Martin Insignia Print - woodcut 22.75'' x 32.25'' Edition: Signed in pencil, titled and marked XIII/XXV Unframed in Fair Condition. Condition note; Some water staining and a crease in the corner. See Photos Most of Frank Martin's output was commercial in a purposeful way. At a time when illustrative and decorative art in Britain flourished in publishing, journalism and advertising, he proudly called himself a jobbing artist and no one could deny the technical range of his accomplishments. It is a measure of his success that in the 1970s he held no fewer than 11 one-man shows. He was also one of the longest-serving illustrators for the Folio Society. Martins work often had a playful quality. The sidelong glances, ripped bodices and cartoonish features (sometimes practically asking for speech bubbles) were all indications that he did not want to be taken solemnly. Naked girls were undoubtedly his favourite subjects, and he drew, painted, etched and engraved them repeatedly. He was a confident draughtsman, using strong shapes and swaggering lines full of movement. His images are straightforward, clear and affectionate
In stock