Additional information
Edition Type | Limited Edition |
---|---|
Signed | Signed |
Subject | |
Style | |
Listed By | Dealer or Reseller |
Size Type/Largest Dimension | Medium (Up to 30") |
Print Type - Production Technique |
Rare Posters 2
Ivan Charmayeff(signed)
Art Expo New York 1979 – 1979
Poster 36” x 24”
Unframed
Excellent condition.
Finding relationships, as Ivan Chermayeff has said, is what graphic design is all about. It is also what poetry is about—analogy, simile, metaphor, meaning beyond meanings, images beyond images. In the work of Chermayeff and Geismar, images are words, have meanings, communicate. They make visual images that are graphic poetry.
Posters as an art form were invented by Jules Chéret in Paris in the 1860’s. Their proliferation and refinement were the result of advances in printing technology, a relaxation of laws regulating the press, and a booming demand for the advertisement of ‘modern’ products and of the Parisian lifestyle in the Belle Epoque (1871 – 1914). In journals, books, theater programs, and posters, the graphic arts soon transcended their commercial function and became art objects sought out by art collectors worldwide.
$349.00
In stock
Edition Type | Limited Edition |
---|---|
Signed | Signed |
Subject | |
Style | |
Listed By | Dealer or Reseller |
Size Type/Largest Dimension | Medium (Up to 30") |
Print Type - Production Technique |
Rare Posters 2 Ivan Charmayeff(signed) Art Expo New York 1979 - 1979 Poster 36'' x 24'' Unframed Excellent condition. Finding relationships, as Ivan Chermayeff has said, is what graphic design is all about. It is also what poetry is about—analogy, simile, metaphor, meaning beyond meanings, images beyond images. In the work of Chermayeff and Geismar, images are words, have meanings, communicate. They make visual images that are graphic poetry. Posters as an art form were invented by Jules Chéret in Paris in the 1860's. Their proliferation and refinement were the result of advances in printing technology, a relaxation of laws regulating the press, and a booming demand for the advertisement of 'modern' products and of the Parisian lifestyle in the Belle Epoque (1871 - 1914). In journals, books, theater programs, and posters, the graphic arts soon transcended their commercial function and became art objects sought out by art collectors worldwide.
In stock